Monday, August 22, 2016

Purchase with a Purpose: Our daughter raised $700 for Israeli NICU

Last summer, our daughter Abigail initiated a special bat mitzvah project which she called "Purchase with a Purpose": She made jewelry and sold it to friends, raising  money for the purpose of donating it to Sheba "Tel Hashomer" Hospital's Neonatal Intensive-Care Unit (NICU) from where she "graduated" as a premie.

The project was a great success, and by selling her hand-made jewelry pieces she raised $700. 

During our trip this summer to Israel, we visited Tel Hashomer hospital, and met with Dr. Zipora "Tzipi" Strauss, director of the NICU. As we toured the NICU with Dr. Strauss and the dedicated nurses who work there, we couldn't help but remember how tiny and fragile were Abigail and her twin brother Niv, and the amazing progress they made through that first year.  

In a modest but heartwarming ceremony, Abigail gave Dr. Strauss the $700, and explained that she deliberated on the type of bat mitzvah project she was going to do. She finally settled on raising money for the NICU because it was important to her to give back to the place that sustained her during those critical months and treated her with such care and devotion. 

Dr. Strauss and the nurses were very moved by my daughter's initiative. Although Dr. Strauss wasn't working in the NICU when Abigail and Niv were born, she was very excited and thankful to receive this wonderful donation. 

If you were one of the "purchasers"  - thank you!

Yesterday, an article appeared in the Israeli press about the ceremony:  

מרגש: בת 14 תרמה לפגייה שבה נולדה

לרגל בת המצווה הכינה אביגיל לייבוביץ' תכשיטים - שאותם מכרה ב־700 דולר • את הכסף החליטה לתרום לפגייה בביה"ח שיבא: "שמחה לתת"

  • מיטל יסעור בית-אור
פורסם ב:  עודכן ב: 
השמעת כתבה

  • אביגיל לייבוביץ' וד"ר ציפי שטראוס בפגייה // צילום: ביה"ח שיבא
סגירת מעגל מרגשת: 14 שנה אחרי שנולדה כפגה, במשקל של קילו וחצי ובסכנת חיים מיידית, חזרה אביגיל לייבוביץ' לפגייה של שיבא בתל השומר והביאה עימה מאות דולרים שאותם אספה כתרומה לבית החולים.
אביגיל ואחיה התאום נולדו במשקל קילו וחצי ואושפזו במשך כמה חודשים בפגייה. כשהיו בני 11 חודשים עברו לארה"ב עם הוריהם, חגית ושמאי, וכיום הם מתגוררים בסילבר ספרינג במרילנד, ארה"ב. לפני שנתיים החליטה אביגיל לחגוג את בת המצווה שלה בצורה מיוחדת: היא הכינה תכשיטים, מכרה אותם ואספה 700 דולר. כעת הגיעה המשפחה לביקור בישראל ואביגיל הרוויחה את ההזדמנות למסור את תרומתה.
"היה חשוב לי לעשות פרויקט של צדקה, ואחרי שהתלבטנו החלטתי שזאת הזדמנות לתרום לפגייה שבה אושפזתי כשהייתי קטנה", סיפרה אביגיל, "אמנם אני לא זוכרת את התקופה הזאת, אבל המשפחה סיפרה לי שטיפלו בי מאוד יפה ואני שמחה לתרום את הכסף לפגים החמודים שנמצאים כאן היום".
מנהלת הפגייה בבית החולים שיבא, ד"ר ציפי שטראוס, אמרה לאביגיל שהיא שמחה לראותה בגיל בוגר ומתרגשת הן מהביקור והן מהמחווה המרגשת שלה: "פעמים רבות אנחנו נקשרים למשפחות ומאושרים לראותם מגיעים ליום השחרור לאחר אשפוז ממושך. כל פג כזה שחוזר אלינו מראה לנו שלא רק הם נכנסים לנו ללב אלא גם אנחנו לליבם". 
ד"ר שטראוס הודתה לאביגיל, וכן הבטיחה "להמשיך להעניק לפגים את הרפואה הטובה ביותר ולמשפחות את הליווי הצמוד ביות

Wednesday, June 29, 2016

Joseph Joachim - Virtuoso Violinist and the "Go-to Guy" for Brahms, Mendelssohn, Dvorak & Others

Happy 185th Birthday to Joseph Joachim, the Austro-Hungarian virtuoso violinist, who was born yesterday in 1831.

Not only was Joachim (pronounced Yoachim) a brilliant violinist and conductor, but he also served as the “go-to guy” for many of the great composers of the day, including Brahms, Schumann, Mendelssohn and Dvořák, inspiring and premiering some of their masterpieces.

Born near Pressburg (now Bratislava) into a Jewish family, he gave his first public performance when he was 8-years-old, and was sent to Vienna for further study. In the spring of 1843, he became a student at the newly-founded Leipzig Conservatory and a protégé of its director, Felix Mendelssohn. Under Mendelssohn’s watchful eye, the teenager was groomed for stardom. He performed with the acclaimed Leipzig Gewandhaus orchestra (which still exists today, making it the longest-running orchestra in the world). In May 1844, Mendelssohn whisked him off to London where he gave a performance of Beethoven's violin concerto that created a sensation. Although premiered in 1806, this work did not become an instant hit, and Joachim's performance of this great concerto with Mendelssohn conducting is credited with guaranteeing its entrance into the pantheon of violin concertos.    

By 1850, Joachim had taken his first professional position as concertmaster for Franz Liszt, but because he was unable to reconcile himself to Liszt’s radical musical taste, he left to become principal violinist at the court in Hanover. There, he met Johannes Brahms, with whom he forged an intimate artistic relationship that eventually led to some of Brahms’ greatest works.

Music Mends Fences

In 1868 Joachim left for Berlin, where he remained for the rest of his life, teaching and serving as one of the first conductors of the Berlin Philharmonic. Joachim became a kind of “technical advisor” to other great composers, including Max Bruch and Antonin Dvorak. He aided Bruch in the revision of his G minor Violin Concerto, and premiered several of Dvorak's chamber works with "Joachim's Quartet." Brahms' only violin concerto, the great D major Violin Concerto, was dedicated to his friend Joachim. Despite a falling-out with Brahms—who had sided with Joachim’s wife when the violinist sought to divorce her—Joachim continued to champion Brahms’ music. In 1887, he received the dedication of Brahms’ Double Concerto (for violin and cello), and premiered the work with Brahms conducting. Isn't it amazing how great music can inspire people to rise above personal animosities and encourage reconciliation?! 

In his playing style, Joachim was among the few virtuosos of the Romantic era who avoided displays of bravura and made a point of subordinating himself to the music. His compositions are lesser known than those of the great composers he championed, but are beautiful nonetheless. Listen to this moving, melodic Andantino by Joseph Joachim: 

Wednesday, May 4, 2016

Counting the Omer as Spiritual Resistance

In honor of the observance of Yom HaShoah - Holocaust Memorial Day, I'd like to share two stories about the meaning and significance of counting the Omer during the Holocaust.

Counting the Omer requires no religious artifacts, such as shofar, lulav, matzoh, etc. Once you remember how many days have passed since the first day of Passover, you can perform the mitzvah - recite the blessing and count the days. All you need is your mind. It thus became a mitzvah the Jewish people could keep even when they were suffering from persecution, pogroms and outright genocide. In the memoirs of two Holocaust survivors, we find inspiring testimony on the significance of this mitzvah, showing how even in the darkest of hours they kept track of the Omer count.   

The late Hassidic rebbe and posek Rabbi Menashe Klein – also known as the Ungvarer Rav because he hailed from Ungvar, Czechoslovakia – was a teenager who survived Auschwitz and other camps.  On April 11, 1945, he was in the Buchenwald concentration camp when the camp was finally liberated by American troops. One of his first reactions was a desire to count the Omer properly.

In volume 10 of his collection of responsa Mishneh Halachot, Rabbi Klein recounts that he was so sick and emaciated after Auschwitz and subsequent camps that he could not stand on his feet or even sit up. But at that great moment of liberation, he wanted so much to be able to stand up and perform this mitzvah, since it is preferable to count the Omer standing up.

He writes, “Using the very last reserves of my strength, I grabbed a pole with two hands, and pulled myself into a sitting position, counted the Omer, and then collapsed back on the wooden floor . . . but I knew this would be the day of freedom.” And that day, he remembers, was the 13th day of the Omer, which, incidentally, is what we count every year on the night following Yom HaShoah.  

Another survivor, author Livia Bitton-Jackson, records in her memoir I Have Lived A Thousand Years  how counting the Omer helped her perform the the mitzvah of zachor – honoring and remembering those who perished in the Holocaust. She and her mother had been transferred from Auschwitz to a slave labor camp in Germany.  In the minutes preceding her liberation on  Shabbat, April 28, 1945,  there was machine-gun fire. The  three Stadler sisters from Livia’s hometown were sitting next to her. Two sisters were instantly killed. As the surviving sister, Beth Stadler, wailed, Livia’s mother had the presence of mind to shout to Beth, “Remember, Beth, the anniversary of your sisters’ death according to the Hebrew calendar is three days before Lag B’Omer. Your sisters’ yahrzeit is the thirtieth day of the Omer.” (L. Bitton-Jackson, I Have Lived A Thousand Years, New York: Simon & Schuster, p. 199).

These survivors’ dedication to keeping track of the Hebrew calendar is testament to the unbreakable Jewish spirit. Despite living through unimaginable horrors, they nevertheless continued performing the mitzvah of counting the Omer, turning it into a form of spiritual resistance. By counting the Omer today, we can honor our ancestors who showed utmost dedication and commitment to our tradition.

May the memory of all the millions of innocent Jewish and non-Jewish people who perished in the Holocaust be a source of blessing for all. 

Thursday, April 28, 2016

What the "Kosher for Passover" Table at Jamie Raskin's Election Party Symbolizes

Passover this year was truly a “chag sameach” -- “happy holiday” -- as Maryland State Sen. Jamie B. Raskin (Montgomery), a champion of civil rights, environmental protection and public education, won Maryland’s 8th Congressional District Democratic primary, making him a favorite in the November election to become our next congressman.  

It was a fierce battle in which liberal grassroots activism beat the Big Money politics. Raskin, who was my constitutional law professor at American University, was heavily outspent by David Trone, a multimillionaire wine retailer from Potomac who poured more than $12 million dollars of his own money into his campaign. Another competitor, former news anchor and Marriott executive Kathleen Matthews, also raised millions of dollars from deep-pocketed donors and used more of her personal wealth. But Raskin won because of his proven experience as a state legislator and a grassroots movement of people from all walks fo life. 

I know because I was there.

More than 1,500 volunteers knocked on doors, placed calls, and organized Town Hall meetings about gun violence and gun safety, family economic security, and reversing climate change.

More than 11,500 people contributed their hard-earned money to our campaign, giving Jamie the means of self-defense in the most expensive Congressional race in American history.

Raskin embodies the idea that our government, as President Lincoln famously said, is “of the people, by the people, and for the people.” Indeed, he opened his victory speech by saying,

“In America, elected officials are not masters of the people. They are the agents and servants of the people, and I will never ever forget that!”

The election night party took place during Passover.  Realizing I won't be able to eat anything, I brought a few kosher for Passover items with me, assuming that just my son Niv and I will eat them. But I was pleasantly surprised to find a Kosher for Passover table at the party, replete with Passover snacks, to which I added my matzoh, chocolate spread, and Passover cakes. (The picture is for illustration only; it actually looked much nicer).

It's not about the joy of noshing at a party. We could easily have passed over (pun intended) the idea of snacking, as we were so thrilled with the atmosphere. But it symbolized to me a celebration of our tradition together with committment to diversity.

Looking around at the party, we saw a richly diverse crowd--people of many faiths, African-Americans, Hispanics, Asian-Americans, people of different abilities, old-timers and immigrants -- and all were mingling and schmoozing with each other. At the same time, as a traditional Jew, I was able to keep the Passover dietary restrictions, making me proud to be a part of something so special. 

In such a multi-culturally diverse audience, the Kosher for Passover table showed that committment to one's religious identity need not be a "closing of the ranks" amidst an exclusive club atmosphere, but can be done while interacting with all the diverse members of our community.

It demonstrated to me a profound understanding of liberalism--not an erasure of cultural identities in the name of equality but the building of a huge tent that accommodates and celebrates our different identities. 

The separation of church and state is so fundamental to American society. It doesn't mean, however, that one needs to hide or play down their religious identity. Indeed, Thomas Jefferson's "wall of separation" and religious liberty are two sides of the same coin: While we need to be vigilant to prevent the state from preferring one religion over others, or being involved in religion at all, at the same time we must make everyone - Jewish, Muslim, Christian, atheist and others – feel at home in our political environment.

Friday, April 1, 2016

How the Mozart-Haydn Challenge Was Resolved

Happy Birthday Franz Joseph Haydn!

In honor of the 284th birthday of this great classical era composer – born March 31, 1732— I’ll share a funny story about how Mozart won a bet against his friend Haydn.  

In addition to being a prolific composer, Haydn was a talented keyboard player who could play even the most demanding of pieces. But at an evening party, Mozart bet a case of champagne that Haydn could not play at sight a piece he had composed that afternoon. Haydn accepted the bet and proceeded to play it on a harpsichord only to stop short after the first few bars. It was impossible to continue because the composition required him to simultaneously strike notes at two ends of the keyboard and a note at the very center.

“Nobody can play this with only two hands,” exclaimed Haydn.

“I can,” Mozart said, and took his place at the keyboard. When he reached that problematic portion of his piece, Mozart bent forward and struck the central note with his nose!

“With a nose like yours,” Haydn conceded, “it becomes easier,” and proceeded to take Mozart out to drink at a local bar.

(Quoted in Nicolas Slonimsky's Book of Musical Anecdotes.)

On a more serious note (pun intended), here’s one of my favorite Haydn pieces – the Trumpet Concerto in E Flat Major. Listen to the third movement (Allegro), played by the great Wynton Marsalis:

Monday, November 30, 2015

A Thanksgiving Poem: The Birth of an Underdog

Several months ago, my son Niv composed a poem about his birth as a premie, and the wonders of his growth. He wrote it as an assignment for his sixth grade class at the Berman Hebrew Academy, and later submitted the poem to the 2015 national poetry contest of The America Library of Poetry. It was selected for inclusion in their recently-published book of student poetry, “Eloquence.”

In the spirit of giving thanks, I am posting his poem here. I am grateful to all the doctors, nurses, teachers, and most important – family members – who contributed to my twins’ growth and achievements. I am very proud of them!

The Birth of an Underdog
by Niv Leibowitz

As leaves turned red and orange my sister came out, then I.​

I was premature, born much too soon

my head the size of a kiwi fruit

my body - the size of my dad’s hand.

Monitors beeped, instruments clattered, lights glared

I was curious, not afraid

always looking at nurses, doctors, and technology around me,

determined to fight my way, graduate from the neonatal intensive care unit.

I was named Niv, which, in Hebrew, means to grow.

With my parents' love

I gained weight, catching up with the other babies.

My parents received a gift,

an adventurous, hungry boy, 

for  many months, I drank only formula milk,

now, I eat steak, fettuccine, and cannoli.

I started in an incubator, and moved to the isolettes

then blossomed at home

today, I jump off a car and DUNK on a ten-foot hoop.